‘Very good show – the collaboration between the two of you is exquisite…walking into the studio is invigorating’. Waltraud Boxall.
‘Great to be able to talk to the artists – love seeing all of the different work’. Beca Jones
‘Fabulous venue, really interesting and thought provoking’. Wanda and David Garner
‘Really good idea – gives public opportunity to see how art is done…’ Maria Newcombe
‘Wonderful idea to explore new ideas and share skills’. Carrie Lynam Crafts Council Ireland
‘Great to have HG at Ruthin Craft Centre‘, Maria Hayes
‘Really interesting collaboration.’ Wendy Proctor
‘Fantastic opportunity for the artists to get their work seen and for the public to meet the person behind the art work.’ Joan Newcombe
‘High standard of work from dedicated artists‘ Julia Smutt
We have had a great time here in Studio 5 for this Residency, and the opportunity it gave to interact and engage with the public. Their delight in the Cyanotype process and interest in the ceramic results from both of us has been a great feature of this Residency.
216 people visited the studio over the Helfa Gelf Weekends – over 100 people each weekend. The Studio was open throughout the week as well, so the final total would be even higher.
We got to know the Courtyard well – a real suntrap on this side – and a lovely place to wander, sit and explore – it’s a welcoming entrance to the Galleries and Exhibitions beyond. A number of people were new to Ruthin Craft Centre and to the idea of visiting a gallery. Seeing us outside exploring a process with such immediate results that was so accessible on a starter level, encouraged folk to pause, go into the studio to look at the work and even create a Cyanotype.
There were positive comments on the collaboration, and on seeing Helfa Gelf in Ruthin Craft Centre.
We found the opportunity for conversation and engagement enabled us to review our own work
A strong outcome is the realization that we want to continue this collaborative exploration of Ceramic and Cyanotype.
Many thanks to all concerned: Ruthin Craft Centre and Philip Hughes for hosting this; Sioned Phillips for all her support; Helfa Gelf for the Residency opportunity.
Another brilliantly sunny day which enabled us to continue to explore outside and engage people who came in to see what we were doing. We were inspired by the Wallpaper Exhibition that had just opened in the Gallery to try some really large pieces.
It’s an idea I’m thinking of introducing to the Lost in Art group on Mondays.
The ongoing worktable and ‘working wall’ filling up in the studio…
It was a lovely busy Sunday with all sorts of events and visitors coming in from the Open Door event taking part in Ruthin – and a promenade performance from Ysgol Bryn Hyfryd…
10am in the Courtyard – slightly cool and misty with birdsong.
Rapidly turned into another hot weekend!
which meant that we could experiment outside along with members of the public wanting to experience the ‘magic’ of the Cyanotype process
We are both enjoying the interaction and conversations with visitors coming to the Studio to see what we have been developing. My work links with my current themes, including the collection of rusted metal sidings that came ashore in January.
A number of people make a bee-line for them, delighting in the shared fascination of the rust and the beauty revealed by the weathering of the metal …..’what have you done to them’….’have you done anything to them?’……..’no – they came ashore like this’……
Others go close up and look at the textures and marks emerging from the rust, and feel how light the sheets are.
One visitor commented on the floor piece and that she’d wrap it in fabric to create a huge rusted cloth. Another that she was driving in the country with a friend when she spotted a rusted shed – ‘pull over!’ – ‘why?’ ‘ it’s beautiful, I want to sketch it’ -‘ but it’s just a rusted shed’……
‘This is the best thing I’ve seen’ said another.
Sue’s ‘breasts’ have had some interesting reactions – ‘what are they for?’ asked someone last weekend
Another had an inspired idea – light switches! New design directions beckon….
Although the sun was less strong than on the Saturday, we continued to explore the possibilities of working outside in the courtyard to get public engagement and interest.
Cyanotyping directly with the acer leaves…
and using the benches to lay out longer pieces of paper…
We had help from a passing family to take the leaves off and spray-rinse the piece
We continue to be puzzled by the reactions – or lack of reactions – of the two clays I recently bought. I started the project using clay that Sue kindly gave me to get me going, which took the solution on both semi-glazed and plain ware. I also rinsed where Sue did not – but the results for both of us were by and large successful.
This was a piece I rolled very thinly….
Here, semi -glaze in progress from a shell form series I was exploring…the result was fine with clearly defined solution in the glaze cracks….
Emboldened by my kiln firing and clay preparation I then ordered my own clay which has either not taken the solution at all -or very reluctantly with a matt finish, different and still attractive
Sue and I have been mulling this over with each other and with any ceramicists that pop in! The firing does not seem to be the problem, but it’s possible I bought earthenware rather than stoneware …..but I have yet to track this down further.